The Vanished Man

Book Description

The New York Times bestselling author of The Stone Monkey is back with a brilliant thriller that pits forensic criminologist Lincoln Rhyme and his partner, Amelia Sachs, against an unstoppable killer with one final, horrific trick up his sleeve. The Los Angeles Times calls his novels "thrill rides between covers." The New York Times hails them as "dazzling," and The Times of London crowns him "the best psychological thriller writer around." Now Jeffery Deaver, America's "master of ticking-bomb suspense" (People) delivers his most electrifying novel yet. It begins at a prestigious music school in New York City. A killer flees the scene of a homicide and locks himself in a classroom. Within minutes, the police have him surrounded. When a scream rings out, followed by a gunshot, they break down the door. The room is empty. Lincoln Rhyme and Amelia Sachs are brought in to help with the high-profile investigation. For the ambitious Sachs, solving the case could earn her a promotion. For the quadriplegic Rhyme, it means relying on his protégée to ferret out a master illusionist they've dubbed "the conjurer," who baits them with gruesome murders that become more diabolical with each fresh crime. As the fatalities rise and the minutes tick down, Rhyme and Sachs must move beyond the smoke and mirrors to prevent a terrifying act of vengeance that could become the greatest vanishing act of all.

Editorial Reviews

Amazon.com Review Presto! With a conjuror's flourish, the reliable Jeffery Deaver has pulled another winner out of his hat. The Vanished Man brings back Lincoln Rhyme, forensic investigator, and his sidekick Amelia Sachs, ex-model and beat cop, a team featured in four previous books. Their case begins with a murder in which the culprit, cornered in a locked room, seemingly vanishes into thin air. Rhyme soon realizes he's up against a master illusionist--and then acquires a conjuror of his own, a spunky apprentice magician, to advise him. The book is chock-a-block with magic lore and with details of the craft of illusion, which provide a fine complement to the engrossing forensic-science puzzles.

The characters, as usual with Deaver, are little more than cardboard cutouts. Even Rhyme himself, a brilliant quadriplegic and former head of NYPD forensics, seems more a collection of characteristics than a man. But Deaver's cutouts are sturdy and well-constructed, and the book's plotting and pacing--featuring twist upon twist and reversal upon reversal--are nothing short of dazzling, reminiscent of Agatha Christie at her best. Deaver proves himself an accomplished illusionist, misdirecting your attention with one hand while slipping a firecracker down your pants with the other. --Nicholas H. Allison

From Publishers Weekly Not since Bill Bixby's The Magician has illusion played such a vigorous role in the investigation of a homicide. A girl is murdered, the killer is caught red-handed, then trapped in a sealed room with a hostage. A shot is fired and when the room is entered, it is empty. Deaver (The Stone Monkey; The Devil's Teardrop; etc.) summons up a fifth tale in the Lincoln Rhyme series and loads it with his trademark twist and turns. Rhyme, a quadriplegic forensic criminologist, seems to have met his match in his new foe, dubbed "The Conjurer" by the police, a master of sleight of hand, illusion and misdirection, much like Deaver himself. Grupper does a fine job of keeping the thriller on the rails, and his depiction of Malerick, a villainous master of disguise straight out of a comic book (he regularly disappears in a flash of light and smoke), is riveting. Grupper's skill with gender and accents is marvelous. The structure of the book is nicely formatted for audio, as the killer narrates his own "performances" as if he were a ringmaster announcing the latest trick, using phrases like, "And now, revered audience...." Copyright 2003 Reed Business Information, Inc.