Metamorfosi
by Ovid, William S. Anderson, Mary Frederick, Rolfe Humphries, John Dryden, Samuel Garth, Jack Shapiro, Ovid, Robert Squillace, Frank Justus Miller, Ovidio, Julius Ziehen, Banier (Antoine, M L'Abbe), Niklas Holzberg, Lee Fratantuono, A D Melville, Emeritus Kennedy Professor of Latin Fellow E J Kenney, Ovide, William Scovil Anderson, Stephanie McCarter, Gerhard Fink, Alexander Pope, Joseph Addison, William Congreve, Gottlieb Erdmann Gierig, Jan Minell, Pieter Rabus, Alexander Pope, Sir Samuel Garth, John Godwin, OVIDIO, Publio Nasone Ovidio, Ovidi, Xavier Mata Oroval, Claude-Pierre Goujet, Claude-Pierre Banier, Publius Ovidius Naso, Edward Brooks, Edward Ovid, Ovidius, Ernest Ensor Publius Ovidius Naso, Ovídio, Pierre Du Ryer, Publio Ovidio Nason, Johannes Minellius, Nathan Bailey, J., F., and C. Rivington (Firm), G. G. J. and J. Robinson (Paternoster-Row, London, England), Scatcherd and Whitaker · 1900
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Description
Ovid’s sensuous and witty poem. In Metamophoses, Ovid brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation—often as a result of love or lust—where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.